Writer and director Alfonso Cuarón tells the story in nouns and verbs. He shows us what transpires. When Cleo (Yalitza Aparicio) tracks down her lover and asks for his assistance with his baby, she simply asks. Emotions are implied, given the gravity of the situation. And when she sleeps with him for the first time, we sense her desire for the experience simply in her choice to “stay out” rather than go to the theater that night.
In this scene, Cleo has just rescued two of the children from nearly drowning. |
Things happen to these women: men mistreat them and they react.
Had this story been written and directed by a woman, it's quite likely the mother and her servant would be enabled, knowing how they'd gotten to their dead-end situations and navigating a way forward. The scene where the wife grasps and pleads at her husband when he leaves her for the last time would have had a bit more nuance, I'm willing to bet.
Roma's shot in black and white, and the characters speak in Spanish and Mixtec. It started streaming on Netflix in December in the United States, and had limited theater distribution in November. It's actually lost money at the box office, earning only $3.5 million to the $15 million budget.
Netflix paid a lot in advertising around Christmas to promote the movie, which explains for all of its Academy Award Nominations: ten of them to be exact. In this respect, Roma is very, very unusual: a movie that lost money at the box office yet received ten Academy Award nominations--winning for Best Director, Best Foreign Language Film, and Best Cinematography.
It's a beautiful movie, every scene thoughtfully composed. And it merits the awards.
This is the era for Mexican directors at the Oscars. Known as the Three Amigos, Alfonso Cuarón, Guillermo del Toro and Alejandro Gonzalez Iñarritu have been seen frequently of late giving acceptance speeches for Best Picture and Best Director, among other awards.
Judging by the quality of this movie and its reception, this certainly won't be the last we'll be seeing of them, either.
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